ANDRE GOLDBERG (Ixelles, Belgium, 1963) lives in Brussels.

For 30 years, he has pursued an artistic activity in the fields of photography, videography and documentary and fiction cinema. He is also a teacher in the same disciplines in several schools and art academies in Belgium.

Trained as a photographer (1988), he published two works of photographic portraits at the publishing house La Lettre Volée in Brussels (Portraits-fétiches, 1994 & Le Passage du Témoin, 1995). The series of portraits of survivors of the Nazi concentration and extermination camps Le Passage du Témoin (The Path of the witness) will be exhibited at the Museum voor Fotographie in Antwerp in the summer of 1995.

He then began a cinematographic research which led him to make several documentaries films on contemporary art and of fiction, since the mid-1990s.

At the turn of the 2000s, he moved towards a practice of video art and was interested in the spatialization of videography.

In addition to regular exhibitions in Belgium, in recent years his video installations have been regularly selected and exhibited in exhibitions at video art festivals abroad including, among others, Les instants video (Marseille 2016, 2017, 2022), Proyector (Madrid, 2018, 2025), Museum Romeinse Katakomben (Maastricht, 2018), Traverses Vidéo (Toulouse, 2020, 2022).

His latest experimental short film “The Song of Songs”, at the confluence of contemporary art and cinema, produced at the end of 2020, was selected in around thirty festivals and won around ten prizes.