Centro de Creación Contemporánea Quinta del Sordo

Calle del Rosario, 15 28005 Madrid

http://www.quintadelsordo.com/

20.09.2024 20:00

Info

In this proposal for a cinematographic installation it is inevitable to go directly to the Marcel Duchamp reference and at the end of the “ready made”, use an everyday object to create an artistic work, without hiding the origin of the object.

In particular, Out of Field, enters into what Duchamp calls “reciprocal ready made”, given that the object changes its function by extracting it from its usual use, by separating it from everyday use and placing it in another space if its connotation changes. and they fall “deterritorialized.”

This film installation presents several layers: a physical layer, which is the ceramic sink, to which is added a second layer, the video (loop image) of the sinks, which allows the object to shine with the light of This is an image in color, which surrounds us and creates a third layer, where that hybrid between the physical and the projected emerges. The fourth cover is the projection of the Fuera de Campo video, which is displayed on the wall in front of the sculptural object.

The visual is complemented by an acoustic layer (soundscape), in which the spaced and intermittent sounds of opening and closing the sink faucet, the flow of water through the siphon, transport us to the “everyday” relationship, subject – object. , which, in this case, refers to a situation “idealized” by families in settlements that lack public services.

The use of the washing machine, that “useful object” that we believe is in every home in Colombia; It goes from being seen as a useful object for everyday use, to an object that offers us a critical and reflective perspective on a problem of inequality.

In the installation, when using the concept of “found object” there is a double meaning, given that, in the end, the washed hand is an object that appears “outside the field”, without leaving the usual place, and at the same time, when placed in a space just for the sake of it, will refer us to one of my objectives, which is to highlight how this valuable object is not part of the home of the families that live in settlements in Colombia.

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FESTIVAL 2025

PROYECTOR 2025

30.11.-0001

2025 arrives filled with moving images with a new edition of the PROYECTOR Festival: New Hertzog Da Silva Awards and the 3rd Edition of VERTICAL <25

The PROYECTOR platform showcases and distributes the most experimental and cutting-edge proposals from the international scene. The Festival is known for its non-cinemanormative works—pieces that fall outside traditional formats and engage directly with space and the active viewer.

From September 10 to 21, 2025, more than twenty venues across Madrid will intersect to present new languages and formats through around 100 works of expanded cinema, performance, video art, site-specific pieces, interactive installations, and unique premieres presented for the first time at the Festival.

PROYECTOR collaborates with both independent and established spaces, spanning from the city center to surrounding neighborhoods of the capital. These venues are filled with video art proposals curated by the PROYECTOR platform as well as by the galleries and museums that form part of the OFF Circuit.

Additionally, PROYECTOR works with other festivals focused on experimental video art and moving image, such as Loops.Expanded, FIVA, PLAY, and Fonlad.

But there’s more!

In its 18th edition, the Hertzog Da Silva Awards return! A total of 6 prizes will be awarded to works selected through the public call by this edition’s jury. Each year, the jury is made up of international professionals specializing in experimental video art. For this edition, the jury includes both artists and curators.

Thanks to Hertzog Da Silva, we are also launching—for the second year—the call for young creators who think vertically: VERTICAL <25. With a new public voting system via social media, you can help choose the winner of a production residency in 2026!

PROYECTOR continues to champion Madrid’s contemporary art scene by collaborating with the Platform of Independent Contemporary Creation Spaces, featuring 10 new venues this year and, for the first time, opening the doors to artists’ studios.

The Festival is committed to equality and to the internationalization of a free and accessible culture. That’s why each year, more than half of the selected works are by women artists from up to 30 different countries, and all festival activities are free of charge.

Additionally, all events—including openings, talks, performances, and workshops—will be streamed online (via YouTube and Vimeo) to ensure international accessibility.

The platform collaborates with universities, offering younger generations the opportunity to gain training and integrate into the cultural sector. We are grateful for the support and sponsorship of associations, galleries, foundations, private companies, embassies, venues, and above all, the artists who make it all possible.

Rebeca M Urizar