No me olvides

The persistence of a fateful image and the need to cling to it imply the unfolding of a memory. This is thus suspended between the multiple versions of the same event, between the representations of a past and a present already lived, between figuration and abstraction, between movement and immobility, between cinema and photography. Intrusive impressions from other lives are superimposed on the memory, exposing us to a watched reality in which we wonder who is watching and what to watch.