\u00abI can save her\u00bb allocates a mission from the video game The Last Of Us into a voice-over of an experimental short film, merging the narrative with the physical reality of the players\u2019 bodies and the computer generated fragmented scape. The hero, only known by a disembodied voice, encourages character to fulfill the mission by saying \u00abI can save her\u00bb. The film slows down the game\u2019s quest and brings the players\u2019 bodies into a vacated atmosphere, it washes out saturated colors and a loaded soundtrack. Treating of time, color palette, and materiality of footages forms the basis for a methodology that examines the interactive digital action scenarios, which are primarily consumed by a male audience. While evoking discomfort and uncanniness, it points out to the normalization and idealization of violence in media that reinforces the notion of an \u2018Other\u2019, an enemy..
Los protagonistas, jugadores habituales de videojuegos, participaron en un taller de pr\u00e1ctica som\u00e1tica para la pel\u00edcula, donde se desarroll\u00f3 la coreograf\u00eda.<\/p>\n\n\n\n
The protagonists, who are regular video game players, joined a somatic practice workshop for the film, where the choreography was developed.<\/p>\n\n\n\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
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