Screening of the selected videos from the II Convocatoria VERTICAL <25 , aimed at young video artists aged up to 25, and announcement of the highest-rated work.<\/p>\n\n\n\n
The artist whose work receives the highest public rating will be awarded a 15-day production residency in Madrid in 2025, with expenses of up to \u20ac3,000 covered. An edition of the winning piece will become part of the Hertzog Da Silva Collection<\/strong>, sponsor of this open call.<\/p>\n\n\n\n The winning piece is \u201cSwipe, scroll\u201d by Jhonny Carvajal Orozco<\/strong>, selected through an open online vote accessible to anyone with the link.<\/p>\n\n\n\n During this event, we will enjoy the works rated highest by the online jury, selected from the following:<\/p>\n\n\n\n La vida en tiempos de Abril<\/em> by Abril Duarte<\/strong> Opening: 20.09.2024 at 20:00<\/strong> In this proposal for a cinematographic installation it is inevitable to go directly to the Marcel Duchamp reference and at the end of the \u201cready made\u201d, use an everyday object to create an artistic work, without hiding the origin of the object.<\/p>\n\n\n\n In particular, Out of Field, enters into what Duchamp calls \u201creciprocal ready made\u201d, given that the object changes its function by extracting it from its usual use, by separating it from everyday use and placing it in another space if its connotation changes. and they fall \u201cdeterritorialized.\u201d<\/p>\n\n\n\n This film installation presents several layers: a physical layer, which is the ceramic sink, to which is added a second layer, the video (loop image) of the sinks, which allows the object to shine with the light of This is an image in color, which surrounds us and creates a third layer, where that hybrid between the physical and the projected emerges. The fourth cover is the projection of the Fuera de Campo video, which is displayed on the wall in front of the sculptural object.<\/p>\n\n\n\n The visual is complemented by an acoustic layer (soundscape), in which the spaced and intermittent sounds of opening and closing the sink faucet, the flow of water through the siphon, transport us to the \u201ceveryday\u201d relationship, subject \u2013 object. , which, in this case, refers to a situation \u201cidealized\u201d by families in settlements that lack public services.<\/p>\n\n\n\n The use of the washing machine, that \u201cuseful object\u201d that we believe is in every home in Colombia; It goes from being seen as a useful object for everyday use, to an object that offers us a critical and reflective perspective on a problem of inequality.<\/p>\n\n\n\n In the installation, when using the concept of \u201cfound object\u201d there is a double meaning, given that, in the end, the washed hand is an object that appears \u201coutside the field\u201d, without leaving the usual place, and at the same time, when placed in a space just for the sake of it, will refer us to one of my objectives, which is to highlight how this valuable object is not part of the home of the families that live in settlements in Colombia.<\/p>\n","protected":false},"excerpt":{"rendered":" Screening of the selected videos from the II Convocatoria VERTICAL <25 , aimed at young video artists aged up to 25, and<\/p>\n","protected":false},"author":1,"featured_media":8317,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"event":[287],"venue":[238],"class_list":["post-8320","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","event-proyector-2024-en","venue-quintadelsordo"],"jetpack_featured_media_url":"https:\/\/dev.azhr.tv\/proyector.info\/wp-content\/uploads\/2025\/05\/adr-rojas.jpg","_links":{"self":[{"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/posts\/8320","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/comments?post=8320"}],"version-history":[{"count":9,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/posts\/8320\/revisions"}],"predecessor-version":[{"id":8338,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/posts\/8320\/revisions\/8338"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/media\/8317"}],"wp:attachment":[{"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/media?parent=8320"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/categories?post=8320"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/tags?post=8320"},{"taxonomy":"event","embeddable":true,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/event?post=8320"},{"taxonomy":"venue","embeddable":true,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/venue?post=8320"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Aritrisma <\/em>by Lorena Ver\u00f3nica S\u00e1nchez C\u00f3rdova<\/strong>
Esto no es un story, es una pel\u00edcula <\/em>by Ane Berganza<\/strong>
Swipe, scroll<\/em> by Jhonny Carvajal Orozco<\/strong>
BURNOUT <\/em>by Julia de Gabriel<\/strong>
far from home<\/em> by Tatiana Sousa<\/strong>
Cuando el silencio me habla\u2026<\/em> by Mariana Garc\u00eda Mej\u00eda<\/strong>
Do you? <\/em>by Uriel Olvera<\/strong>
Narciso<\/em> by Alejo Ducl\u00f3s<\/strong>
CHASED<\/em> by Melina Fern\u00e1ndez
<\/strong>Paradox <\/em>by Yu Ting Tsai
<\/strong>Vac\u00edo Fractal<\/em> by Luis Gallardo<\/strong>
Grimoice <\/em>by Valentin Sismann<\/strong>
Nunc <\/em>by Oriana Inagas<\/strong>
CuT.e<\/em> by Abril Vivas<\/strong>
Again and again <\/em>by Alba Amoedo Cal<\/strong>
Scream pdf <\/em>by E.P Mart\u00edn<\/strong>
Centro Comercial Jard\u00edn<\/em> by Concha G. de la Fuente<\/strong>
\u00d8BLITUS <\/em>by Aran Sanz Cuesta<\/strong>
Mori No Subete (Everything about the forest) <\/em>by Luca Barrios Lumbreras<\/strong>
Clown notes III: Notas desequilibradas<\/em> by Cristal Clown \/ Melissa Lopez Santos<\/strong>
TEST 2<\/em> by Carolina Neka<\/strong>
industrial_sounds_on_flowers_and_other_peaceful_places.mp<\/em>4 by Alba Matilla<\/strong>
EBULLICI\u00d3N <\/em>by sinergia.log<\/strong>
NANA <\/em>by Yaku Studio<\/strong>
Coa cabeza ben alta<\/em> by Abel P\u00e9rez L\u00f3pez<\/strong>
Viaje al centro de la tierra<\/em> by Txomin Lasa<\/strong>
Penosamente de la nada siempre<\/em> by Mariel Tizon Prado<\/strong><\/p>\n\n\n\nFuera de Campo
11-20.09.2024<\/h2>\n\n\n\n
Artist: <\/strong>Adriana Rojas (col)<\/p>\n\n\n\n