Between lights, folds, and ghosts, these three works trace a sensitive cartography of the everyday, the invisible, and the imagined.<\/p>\n\n\n\n
\u201cThe angle of sunlight is a little steeper in Barcelona than in Taipei.\u201d Pablo M\u00e9ndez<\/strong>‘s Folds<\/em> expands this sensitivity into the realm of the abstract, where nature takes on a presence in matter, revealing the \u201cfolds\u201d of what surrounds us; revealing almost invisible elements that compose a whole, interweaving the limits of the perceptible and the imaginable.<\/p>\n\n\n\n Finally, Hou Lam Tsui<\/strong>‘s Hangnail <\/em>disrupts the contemplative mood of the previous works with an incisive critique: it dismantles the narratives that romanticize female death in visual culture, exposing the mechanisms of power that dictate which memories are worthy, which bodies are representable, and which fictions are normalized.<\/p>\n\n\n\n Together, the works create a landscape in which light not only illuminates but reveals, a shadow that not only conceals but connects, and the image not only represents but denounces.<\/p>\n\n\n\n The Secuencia de In\u00fatiles<\/strong> space joins the 18th edition of the PROYECTOR Festival, expressing a political urgency, a collective perception.<\/p>\n\n\n\n Text by Rebeca M. Ur\u00edzar<\/p>\n","protected":false},"excerpt":{"rendered":" Between lights, folds, and ghosts, these three works trace a sensitive cartography of the everyday, the invisible, and the imagined.<\/p>\n","protected":false},"author":3,"featured_media":8621,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"event":[293],"venue":[235],"class_list":["post-8614","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","event-proyector2025-en","venue-secuencia-de-inutiles-en"],"jetpack_featured_media_url":"https:\/\/dev.azhr.tv\/proyector.info\/wp-content\/uploads\/2025\/06\/2.jpg","_links":{"self":[{"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/posts\/8614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/comments?post=8614"}],"version-history":[{"count":3,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/posts\/8614\/revisions"}],"predecessor-version":[{"id":8617,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/posts\/8614\/revisions\/8617"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/media\/8621"}],"wp:attachment":[{"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/media?parent=8614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/categories?post=8614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/tags?post=8614"},{"taxonomy":"event","embeddable":true,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/event?post=8614"},{"taxonomy":"venue","embeddable":true,"href":"https:\/\/dev.azhr.tv\/proyector.info\/en\/wp-json\/wp\/v2\/venue?post=8614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Yuchi Hsiao’<\/strong>s In This Moment<\/em> transforms the intimate observation of sunlight into a ritual act that reveals how the everyday, often unnoticed\u2014a slanting ray, an advancing shadow\u2014can activate a poetic and migratory memory.<\/p>\n\n\n\n